Spring is such a hopeful time. I don’t have any other observations about it at the moment but I just had to say. I spent a little time meandering in parks this week, and several times noticed how late the light was lingering in the evenings.
Once again, I have little to discuss this week. It has been a great deal of nothing, generally. I visited some friends up in Seattle which was great fun. I visited another church because I had never been to an affirming church and variety is the spice of life. I visited Tacoma to see a movie called The Death of Stalin which, of course, is a comedy. Thoroughly enjoyed it, can recommend.
Along with all that, of course, I’ve had plenty of time to read and I have been doing plenty of it. Nothing earthshatteringly good but lots of normal good. I do sincerely wish, sometimes, that I did not become so emotionally invested in books, though. I don’t know if reading fiction does actually make you more empathetic, but sometimes I wish reading didn’t have the power to totally change my mood for the rest of the day–provided I can actually put down the book. Of course, I wouldn’t trade my reading experiences for the world. But still, it’s draining. Even knowing what’s going to happen and that it’s not real, I spend anxious (or giddy or frustrated or sad) hours between reading sessions.
In the midst of my not-doing, and the generalized angst and feelings brought on by books, I’ve had plenty of time to just think (a dangerous pastime, I know). I’ve not had dark nights contemplating the deep, dreadful fates in store for a world as sordid as this. Nothing quite so dramatic, though I do that often enough, too. It’s just been me thinking soberly about things in the world and in my life and how my life is a part of the world. And, as per usual, I’ve found that a lot of my feelings have been voiced quite eloquently by someone else.
Some time ago, I encountered W. H. Auden’s poem September 1, 1939 and I’ve often thought about it since. It’s both anti-fascist and somehow anarchist. Historical and informed but also strikingly topical. It combines a dismal but accurate view of the poet’s world in 1939 (not a great time for anybody) with a persistent attitude that, in spite of or perhaps because of the poem’s general despondency, seems almost wildly hopeful.
I get that poetry is not for everyone and it is often difficult to understand. Not claiming to totally comprehend this particular one, there are still some salient points that seem pretty straightforward to me. If you find nothing else in these admittedly convoluted lines, look for these: fear, justice, love, hope.
I will not reproduce the whole poem here (though I would encourage you strongly to read it). Instead, I will quote only the final two stanzas.
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.